Fife and drum blues is a rural derivation of traditional country blues. It is performed typically with one lead fife player often also the band leader and vocalist, and a troop of drummers. The drum troop is loosely structured unlike drum corps and may have any number of snare, tom, and bass drum players. Fife and drum performances were family affairs often held at reunions and big picnics. It is suggested by most texts that it has roots not in the American Revolutionary War, but actually in Africa; the use of fife is merely a replacement for instruments the slaves had used in Africa.
Fifes were carved from cane that grew locally. Drums were often hand-made, and equally often just percussive objects. The vocals seem to derive from two main styles:
The genre originates in very rural areas of the farming South and today persists in a stretch of sparely populated Southern states stretching from northwest Georgia to an area south of Memphis. Notable performers are Napoleon Strickland, Dan Emmett, Othar Turner, and Jessie Mae Hemphill. Performers play blues songs as well as religious songs such as "When the Saints Go Marching In" and "When I Lay My Burden Down."

Traditional call and response of Black Spirituals
Short, repetitive lyrics Further viewing

American Patchwork: Songs and Stories of America, part 3: "The Land Where the Blues Began" (1990). Written, directed, and produced by Alan Lomax; developed by the Association for Cultural Equity at Columbia University and Hunter College. North Carolina Public TV; A Dibb Direction production for Channel Four. (Watch film: The Land Where the Blues Began)
Deep Blues (1991). Directed by Robert Mugge.
Gravel Springs Fife and Drum (1971). Filmed by Bill Ferris, recorded by David Evans, and edited by Judy Peiser. (Watch film: Gravel Springs Fife and Drum